Digital video color correction and renovation

Nucoda colour grading and finishing solution for feature films, commercials and broadcast applications by Digital Vision

Included with Nucoda is a range of image processing tools called DVO Classic. This consists of DVO Grain, DVO Aperture, DVO Regrain and DVO Brickwall.

VTR I/O Ingest and output PAL, NTSC and HD formats 2K monitoring

RAW Camera Support Sony F65 RAW, ARRI Alexa RAW, ARRI D-21RAW, RED RAW – EPIC HDRx Blending support Silicon Imaging SI-2k Phantom CINE Cinema DNG

We can delivery your materiel in any electronic format from Dpx frames to uncompressed QuickTime movies and also DCP’s.

Trans-coding from your raw camera footage can be done also to any format with time code embedded , like MXF files, to be used to edit.

Resolve by Black Magic Design. The world’s most advanced color grading tools.

DaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!

Professional non-linear editing with Hollywood’s most powerful color corrector!

DaVinci Resolve 12.5 combines professional non-linear video editing with the world’s most advanced color corrector so now you can edit, color correct, finish and deliver all from one system! DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! From creative editing and multi camera television production to high end finishing and color correction, only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.

Film Transfer

-Blackmagic Cintel Film Scanner

No other company in the world has more experience at scanning film than Cintel, and now that knowledge has been combined with cutting edge technology to produce the new Blackmagic Cintel film scanner! The new Cintel scanner has been designed with an architectural aesthetic and it’s so thin it can even be wall mounted! It features totally redesigned digital servos, high intensity diffuse light source and imaging systems, so you get a real time scanner that scans 35mm and 16mm film up to 30fps in Ultra HD resolution! Now you can use film for post production or unlock millions of hours of film based content for scanning to Ultra HD masters for a new future world of exciting Ultra HD distribution!

-Realtime Scanning

The Cintel Film Scanner is the world’s first real time 4K film scanner to use Thunderbolt 2, making it super easy to set up and install. The new diffuse high intensity light source means the Cintel scanner runs at a smooth real time speed keeping film handling gentle and transfers super fast. The Thunderbolt 2 connection features a massive 20 Gb/s speed so you can transfer all this data direct into your computer without quality limitations. You can even change computers simply by unplugging the single Thunderbolt cable. If you’re wall mounting then you can use the longer 30 meter Thunderbolt cables to connect to your grading computer even when hiding the cabling in the wall. With the Cintel scanner, you get the high resolution of a film scanner with the real time use of a traditional telecine!


Spirit 2K Datacine: performs in 16mm, S16mm, 35mm, S35mm

Bones scanner: 2K scanning (or 4K prior to notification) in real time. Equipped with dirt and scratch detection and concealment system to efficiently remove imperfections in film-originated material without generating artifacts.

DaVinci 2K Plus color corrector: configured to work at all video resolutions including PAL, NTSC, HD 422 and 444.

Digital Vision DVNR : with AGR4 ME Motion-Compensated Film Grain Management & Electronic Noise Reduction – ASC3 ME HD Dirt & Random Scratch Consealment System by Digital Vision

DCP Services MIST Prime

Dailies, conforming, pan & scan, primary color correction and mastering to tape, DVD, Blue Ray. Includes MOZAICTM real time de-Bayering engine, JAZZTM real time rendering engine, Flowgraph, multiple output management.

DCI mastering

Deliverables for digital cinema with Audio, Video,Subtitles assets management through multi-layout timelines, KDM, DKDM

We can also delivery your DCP on a CRU disk to be shipped direct to the cinema.

Standard Definition film and sound transfer.

Using a very reliable and tested method with an Ursa Gold telecine we can do all your dallies rushes and sound syncing with keycode logging for you to take away an edit. Telecine is done at standard definition and transferred on to tape with the keycode logs so that you are able to cut your negative later. The material is also sound synced so that you have all you need to give your editor to start the process of making your film.

Negative development

(35mm – 16mm –S16mm)

 In our laboratory facilities you can develop color negative 35mm or 16mm film to standards that Anmar have been producing since 1970. Using Calders film developers they produce a very high standard of picture quality.


  • Stainless steel construction throughout (EN58J) or titanium where necessary
  • Demand friction drive
  • Spring centred spools
  • Circuit breakers throughout for protection
  • All idler spools ballraced
  • Film retainers on all lower spools
  • Simple in design, contruction and maintenance


  • Stainless steel construction
  • 1200 or 2400ft capacity
  • Rotation indicator



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